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This paper examines the dynamic landscape of Indonesian entertainment and popular videos, tracing its evolution from state-controlled television dramas ( sinetron ) to the decentralized, user-generated content of digital platforms like YouTube and TikTok. It argues that Indonesian popular video is not merely a form of escapism but a critical site of cultural negotiation, reflecting tensions between tradition and modernity, local identity and global influence, and state censorship and grassroots creativity. By analyzing key formats— sinetron , FTV (Film TV), Web series , and short-form social media videos—this paper highlights how technological shifts have democratized production while simultaneously creating new forms of commercial and ideological control. The findings suggest that Indonesian popular video serves as both a mirror of social anxieties and an engine of cultural change, particularly in terms of language use, gender representation, and religious expression.

The early 2026 box office has been dominated by films like Danur: The Last Chapter and the long-awaited adaptation of Laut Bercerita (The Sea Speaks His Name). This paper examines the dynamic landscape of Indonesian

by Siti Badriah : A massive hit with over 739 million views on YouTube. The findings suggest that Indonesian popular video serves