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The Taking of Deborah Logan is a prime example of the found footage genre, which has become increasingly popular in recent years. Found footage films are characterized by their use of handheld cameras, improvised dialogue, and a focus on realism.

Narrative Structure and Style The film adopts the conceit of a student documentary that tracks Deborah, an elderly woman diagnosed with Alzheimer’s, and her daughter Sarah, over a period intended to document the progression of the disease and the realities of caregiving. The choice of found-footage/documentary style grounds the story in a sense of realism: cameras capture interviews, home videos, therapy sessions, and surveillance footage. This framing initially encourages the viewer to interpret Deborah’s actions through a medical lens, aligning audience assumptions with those of the filmmakers within the story. The gradual shift—where unexplainable phenomena accumulate—forces a re-evaluation of that interpretation and leverages the documentary mode to heighten psychological unease.