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Time is the fundamental medium of cinema. Unlike painting or photography, which capture a single moment, film and video are temporal art forms built on the sequential presentation of images. This paper examines how time is represented, manipulated, and perceived in two interrelated domains: classical filmography (narrative cinema) and contemporary popular videos (short-form social media content). By analyzing techniques such as montage, slow motion, long takes, and digital looping, this paper argues that while the technological tools have evolved, the core artistic challenge remains the same: controlling the viewer’s experience of duration, rhythm, and temporal flow.

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