: While written as a complete 66-minute cycle, the movements are also available and frequently performed as standalone pieces. Alternative Versions Movements I & V are available as standalone versions for string orchestra Movements II & IV are available for saxophone quartet LSU Scholarly Repository Where to Obtain the Score Official Publisher
by Dr. David Andrew Hobson (2010) is available through Louisiana State University. LSU Scholarly Repository Are you looking to a physical copy for a choir, or do you need a perusal score for study?
: Also for a cappella choir, these movements explore individual growth and personal abilities.
The use of technology also allows Franssens to push the boundaries of traditional notation and performance practices. The score includes a range of extended techniques, such as prepared piano, vocal improvisation, and interactive electronics, which challenge the performers to explore new sounds and textures.
– Franssens uses a technique of “phase shifting” where soprano, alto, tenor, and bass sing identical melodic fragments entering at different times. The new score visually clarifies these entrances across systems.
A cycle in five movements for mixed choir a cappella, with mixed choir and strings in select parts.
: While written as a complete 66-minute cycle, the movements are also available and frequently performed as standalone pieces. Alternative Versions Movements I & V are available as standalone versions for string orchestra Movements II & IV are available for saxophone quartet LSU Scholarly Repository Where to Obtain the Score Official Publisher
by Dr. David Andrew Hobson (2010) is available through Louisiana State University. LSU Scholarly Repository Are you looking to a physical copy for a choir, or do you need a perusal score for study?
: Also for a cappella choir, these movements explore individual growth and personal abilities.
The use of technology also allows Franssens to push the boundaries of traditional notation and performance practices. The score includes a range of extended techniques, such as prepared piano, vocal improvisation, and interactive electronics, which challenge the performers to explore new sounds and textures.
– Franssens uses a technique of “phase shifting” where soprano, alto, tenor, and bass sing identical melodic fragments entering at different times. The new score visually clarifies these entrances across systems.
A cycle in five movements for mixed choir a cappella, with mixed choir and strings in select parts.