Shallow Hal

In the landscape of early 2000s comedies, few films are as simultaneously beloved, criticized, and misunderstood as the 2001 Farrelly brothers film, Shallow Hal . Starring Gwyneth Paltrow in a fat suit and Jack Black as a man who literally sees what he wants to see, the movie aimed to deliver a heartwarming message about inner beauty. But nearly two decades later, the film remains a cultural lightning rod.

Where Shallow Hal works best is in its depiction of conventional beauty as ugliness. When Hal’s spell breaks temporarily, he sees a supermodel on the street as a hideous, smoking, scowling gremlin. The film’s thesis is that vanity and cruelty are the real disfigurements. The most terrifying character isn’t a fat person; it’s Mauricio (Alexander), whose inner greed makes him look like a devil. Shallow Hal

No discussion of Shallow Hal is complete without addressing the elephant—or rather, the fat suit—in the room. In 2001, the idea of a thin actress gaining weight for a role was standard Oscar-bait (think Charlize Theron in Monster ). However, using prosthetics to portray obesity as a visual punchline or a tragic flaw has aged poorly. In the landscape of early 2000s comedies, few