In the pantheon of cinematic nightmares, few films have maintained an aura of lethal mystique quite like Andrzej Żuławski’s 1981 masterpiece, Possession . For decades, this Franco-German production—a brutal, operatic dismantling of divorce, espionage, and metaphysical dread—has existed in a fog of censorship, lost footage, and poor-quality transfers. But for the true cinephile and horror collector, one artifact rises above all others: