Pensees Et Visions D 39-une Tete Coupee -1991- | Ok.ru

The thumbnail was a grainy, sepia-toned close-up of a human eye, reflected in a shard of broken mirror.

The film's primary subject is Antoine Wiertz (1806–1865), a Belgian Romantic painter known for his monumental canvases and preoccupation with the macabre. Often compared to Hieronymus Bosch for his depictions of human suffering, Wiertz's work centered on: pensees et visions d 39-une tete coupee -1991- ok.ru

It premiered once, at the 1991 Belfort Entrevues Film Festival. The reaction was reportedly visceral—not from gore, but from profound unease. A critic from Cahiers du Cinéma called it "a two-reel panic attack on the nature of the soul." Then, the film vanished. Fournier, disillusioned by the industry, reportedly destroyed the master negative and moved to a Buddhist monastery in the Ardèche. Only a single, worn 16mm print was rumored to exist in the hands of a private collector in Lyon. The thumbnail was a grainy, sepia-toned close-up of

Cette phrase, qui apparaît brièvement au milieu du montage, résume l’ambivalence du film : . The reaction was reportedly visceral—not from gore, but

Pensées et visions d'une tête coupée (1991) is a surrealist Belgian short film directed by Olivier Smolders and Johan Van den Driessche. Often described as a "portrait of an imaginary painter," the film is deeply inspired by the life and provocative works of the 19th-century Belgian artist Antoine Wiertz (1806–1865). Artistic Concept and Narrative

The ok.ru page has 1,247 views. Three comments, all in Russian. One, roughly translated, says: "My grandfather was an extra in this. He said the director cried for an hour after wrapping the final shot. She never explained why."