Published in the early 1990s, White Dwarf Issue 110 is a nostalgic treat for fans of Games Workshop's flagship magazine. As one of the most iconic and enduring publications in the world of miniature wargaming, White Dwarf has been a staple of the Warhammer community for decades. This issue, in particular, showcases the dark and gritty world of Warhammer Fantasy Battle, with a focus on the forces of Chaos.

However, a digital scan of Issue 110 reveals more than just rule changes; it captures a specific aesthetic sensibility. The art direction, heavily influenced by the "Old School Renaissance" aesthetic, features cover art by the legendary David Sutherland. It depicts a High Elf Prince mounted on a Griffin, locked in aerial combat with an Orc Wyvern rider. This image is quintessential late-80s Games Workshop: vibrant, dynamic, and slightly cartoonish, yet grounded in a gritty metallic realism. Flipping through the PDF, one is struck by the prevalence of 'Eavy Metal miniatures painted by the 'Eavy Metal team under the tutelage of Mike McVey. The paint jobs—characterized by heavy contrast, glossy varnish, and bright primary colors—serve as a time capsule. They remind us that the hobby was still largely about painting individual characters to a high standard, rather than the speed-painting techniques used for modern horde armies.

Before they became a full army, the Genestealer Cult was a handful of paragraphs in Rogue Trader . Issue 110 expands them into a playable force. It includes:

Track down the PDF, fire up some Bolt Thrower, and lose an afternoon to rolling 2D6 for scatter dice.