Marina Abramovic Rhythm 0 Jun 2026

In October 1974, at the Studio Morra in Naples, a 27-year-old Serbian artist named Marina Abramović performed a work that would irrevocably alter the trajectory of performance art. She placed a placard on a table next to her body: Instructions. There are 72 objects on the table that one can use on me as desired. I am the object. During this period I take full responsibility. Duration: 6 hours (8pm – 2am). The objects ranged from gentle (feather, olive oil, rose) to pleasurable (honey, a kiss) to painful (scalpel, nails, a loaded gun with one bullet). For the first time in her career, Abramović relinquished all performative agency, becoming a pure object of audience action.

Abramovic argues that the discomfort is the point. Art must disturb the comfortable and comfort the disturbed. Rhythm 0 disturbs us because we see ourselves in that crowd. marina abramovic rhythm 0

The items were selected to represent a spectrum of human experience, ranging from pleasure to pain. In October 1974, at the Studio Morra in

Faced with the "object" turning back into a human being, the participants could not handle the reflection of their own cruelty. They fled to avoid the confrontation of what they had done when they thought there were no consequences. Why Rhythm 0 Matters Today I am the object