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The myth of Romulus—rooted in conflict with his twin brother Remus—offers a narrative template for analyzing humanity’s potential interactions with alien civilizations. This paper adapts this duality to explore the tension between assimilation and resistance in post-contact scenarios. By framing Romulus as an extraterrestrial entity, the study bridges classical mythology with speculative futures.

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Building on Paul Gilroy’s The Black Atlantic and the works of Gloria Anzaldúa, this paper frames LatinoYG as a decolonial, futurist subculture. It synthesizes Latin American pre-Columbian cosmologies, diasporic hybridity, and alien epistemologies to create a counter-hegemonic identity. The movement’s name— LatinoYG —implies a generational revolt against homogenizing global forces, reimagining cultural heritage as a dynamic, interstellar practice.