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The ending is famously ambiguous. Dixon and Mildred—two broken, angry people—team up to drive to Idaho to kill the suspected rapist. But on the way, they admit they are not sure he is the right man. Mildred asks, “You sure about this?” Dixon replies, “Not really. I guess we can decide on the way.”
This act of defiance sets the town of Ebbing on fire, pitting Mildred against a beloved police chief and a volatile officer, while forcing the townspeople to confront the darkness they’d rather ignore. Themes of Grief and Unrelenting Anger threebillboardsoutsideebbingmissouri2017u
McDonagh’s background in theater shines through in the sharp, rhythmic dialogue. The characters speak in a heightened, poetic vernacular that is both hilarious and devastating. The cinematography contrasts the bleak, grey winter of the Missouri landscape with the bright, bold red of the billboards, serving as a visual metaphor for Mildred’s bloody-minded refusal to let the world forget her daughter. The ending is famously ambiguous