For Romanians, as for many Eastern Europeans, these films were not viewed as foreign imitations of Hollywood but as the definitive version of the "Western." During the Communist era, the Western genre was paradoxically popular. While the ideological apparatus of the state condemned American imperialism, the imagery of the cowboy and the frontier was co-opted as a symbol of freedom and resistance against encroaching civilization. The Karl May adaptations, being produced in East Germany (DEFA) or West Germany, were often more accessible and ideologically palatable than American films.
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